First, I’d like to say that I love Ariel Pink‘s music… even when it’s horrible which some of it undoubtedly is (and has to be with a songwriter as prolific as he). I mean, sure, as a human being he may be a notorious dickhead, but whether he’s an overgrown petulant child or just some celebrated neek with a personality disorder, his skewed take on pop music makes me feel weird and fizzy and (at its best) slightly inebriated.
His latest bomb, lobbed from 4AD, exploded on the internet just a few weeks ago — perfectly timed for my end of year list. It harkens back to the stunningly weird, but atrociously recorded 4-track experiments Pink used to concoct in his bedroom before he decided to get a band together (Ariel Pink’s Haunted Graffiti) and record his eponymous “breakthrough” in a real studio. The players he assembled were really good, and the increase in fidelity from going to a professional studio was of an order of magnitude, and so the results were positive, but a lot more conventional at least by Pink’s whigged-out standards. This record revives that classic “what-the-fuck” feeling I used to get from his recordings but with much better sound quality, which is basically all I ever wanted.
Here’s the first single “Put Your Number in My Phone”
Here are a couple of low-quality previews with which to whet yourself:
And, you can purchase this thing over at the 4AD store.